Tag Archives: Arianna Warsaw-Fan

Brahms, Debussy and a Canadian Voyage

Posted by Liz

New music to start off Friday’s concert schedule with Canadian Voyage at midday, featuring various new works by Canadian composers. The last (and best) piece was Victor Herbiet’s Concerto de Chambre; the piece was written to show that new saxophone music need not be alienating! The sextet (saxophone, 2 violins, viola, cello and piano) was an interesting mix of romantic-style melodies and technique. A very interesting 2-movement work that ought to be played regularly. out of the other works, Soulmate from Chan Kai Nin (for solo cello) was excellent but I found Still Time by John Burge to be harder to fathom.

Moving swiftly to Dominion-Chalmers for an afternoon of entertainment from ‘Alexander Tselyakov and Friends’. True light-hearted entertainment, perfectly suited to 2pm. Tselyakov père et fils started the afternoon with a piano four-hands arrangement of Debussy’s Petite Suite. Subsequently Tselyakov, Arianna Warsaw-Fan and Julian Armour (the latter two, after a few days of sheet music blowing around, with clothes pegs on their music stands) performed the short but very expressive Piano Trio in G major, again by Debussy.

A change of composer to Milhaud, whom I don’t recall having heard in concert before. I thought his Suite for Violin, Clarinet and Piano, Op 157b matched the Debussy trio in good-humoured beautiful music, but livelier. The odd discordant moment in the fourth movement added an extra twist. Finishing off with a flourish came courtesy of Saint-Saëns’ Septet for Trumpet, String Quintet and Piano, Op 65.

Later on I headed to Saint Brigid‘s. The heat kept me away from the first half of A Brahms Night Out, but I heard some of the DJ set in the interim and it brought to mind the image of dancing in a field with glow sticks. There was a reasonable audience for Orchestra de la francophonie’s (OF) performances of Brahms’ Third and Fourth Symphonies Opp 90 and 98, plus a new work by Julien Bilodeau. Bilodeau’s piece, Concerto du printemps pour piano et orchestre, had a varied mix including interesting piano parts, a full orchestral scream, lots of percussion and ended with a kind of slap. Totally different from Brahms, maybe almost too different in terms of programming.

Brahms’ Fourth Symphony was the more enjoyable of the two. The OF played well, but sadly not as well as the Zürich Academic Orchestra on Tuesday. It was again refreshing to see a group of young musicians on stage, though I did not envy them having to perform in jeans!


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Day 2 Part 2 – Dance and Rachmaninoff

Posted by Liz

A complete evening of high quality performances – I heard from attendees of A Lover And His Lass that the evening was wonderful (for more detail, read Richard Todd’s review in the Ottawa Citizen).

The auditorium at the former Ottawa Technical High School was at least three-quarters full for last night’s Music and Dance spectacular. I can’t remember the last time I went to a dance program, but the evening was very entertaining and highly informative. Having just a few musicians to accompany the dancers introduced a more intimate element to the performances.

It was very interesting to see the Baroque dance sequences by Marie-Nathalie Lacoursière and Mikael Bouffart: wonderfully ornate costumes and excellent acting, especially in La Verdinguette (Jacques Champion de Charbonnières). Harpsichord accompanist Marie Bouchard received almost equal acclaim; her performance of Froberger’s ‘Lamento sopra…’ from Partita VI in C Major FbWV 612 was superb. Bouchard described the piece as an ‘unmeasured prelude’ and there was certainly a familiarity with some of the piano prelude repertoire.

Sonia Rodriguez and Piotr Stancyzk were clearly the stars of the evening, keeping the audience spellbound. Their performance of the pas de deux from Swan Lake was extremely well received, but the subsequent Lady of the Camelias (set to excerpts from the quintet arrangement of Chopin’s Piano Concerto No 1) performance was even more superb.

At this point the scheduled program was somewhat mixed up, but this didn’t detract from some excellent instrumental performances by Wonny Song, Paul Marleyn and Yehonatan Berick.

Another excellent concert followed – Arianna Warsaw-Fan, Julian Armour, Matthew Larkin and Andrew Tunis playing the Rachmaninoff Piano Trios, featuring performances of the Trio élégiaque No. 1 in G minor and Trio élégiaque No. 2, the latter in the original arrangement with harmonium. Both performances had the reasonably sized audience rapt. Trio élégiaque No. 1 was incredibly atmospheric: beautiful melodies and great variation between flowing and gritty elements. Trio élégiaque No. 2 (written in homage to Tchaikovsky) was more difficult. The 2nd movement (quazi variazone) with the harmonium was very interesting and the violent piano passages were impressive, but I found the piece overall rather exhausting. A very full-on concert for a late night slot, but it was a good experience and I hope the two Fauré nocturnes concerts have as good attendance.

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