Tag Archives: Chan Kai Nin

Brahms, Debussy and a Canadian Voyage

Posted by Liz

New music to start off Friday’s concert schedule with Canadian Voyage at midday, featuring various new works by Canadian composers. The last (and best) piece was Victor Herbiet’s Concerto de Chambre; the piece was written to show that new saxophone music need not be alienating! The sextet (saxophone, 2 violins, viola, cello and piano) was an interesting mix of romantic-style melodies and technique. A very interesting 2-movement work that ought to be played regularly. out of the other works, Soulmate from Chan Kai Nin (for solo cello) was excellent but I found Still Time by John Burge to be harder to fathom.

Moving swiftly to Dominion-Chalmers for an afternoon of entertainment from ‘Alexander Tselyakov and Friends’. True light-hearted entertainment, perfectly suited to 2pm. Tselyakov père et fils started the afternoon with a piano four-hands arrangement of Debussy’s Petite Suite. Subsequently Tselyakov, Arianna Warsaw-Fan and Julian Armour (the latter two, after a few days of sheet music blowing around, with clothes pegs on their music stands) performed the short but very expressive Piano Trio in G major, again by Debussy.

A change of composer to Milhaud, whom I don’t recall having heard in concert before. I thought his Suite for Violin, Clarinet and Piano, Op 157b matched the Debussy trio in good-humoured beautiful music, but livelier. The odd discordant moment in the fourth movement added an extra twist. Finishing off with a flourish came courtesy of Saint-Saëns’ Septet for Trumpet, String Quintet and Piano, Op 65.

Later on I headed to Saint Brigid‘s. The heat kept me away from the first half of A Brahms Night Out, but I heard some of the DJ set in the interim and it brought to mind the image of dancing in a field with glow sticks. There was a reasonable audience for Orchestra de la francophonie’s (OF) performances of Brahms’ Third and Fourth Symphonies Opp 90 and 98, plus a new work by Julien Bilodeau. Bilodeau’s piece, Concerto du printemps pour piano et orchestre, had a varied mix including interesting piano parts, a full orchestral scream, lots of percussion and ended with a kind of slap. Totally different from Brahms, maybe almost too different in terms of programming.

Brahms’ Fourth Symphony was the more enjoyable of the two. The OF played well, but sadly not as well as the Zürich Academic Orchestra on Tuesday. It was again refreshing to see a group of young musicians on stage, though I did not envy them having to perform in jeans!

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